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Thursday, October 8, 2026
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Ballet Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I Don't Feel Precious About My Body'

In the quiet ambiance of a hotel bar near London's Royal Ballet, Matthew Ball requests a mint tea. His posture is naturally upright, his limbs muscular beneath a simple white T-shirt. On stage, ballet dancers can appear like mighty deities, yet frequently offstage they are petite. Not so Ball, whose tall stature is part of his demand for princely roles and partnering. Possessing fine features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Rise to the Top

At 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced little teasing for his early interest in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was promoted each year, reaching the highest position of lead dancer in 2018. He has relished tackling meaty dramatic roles, particularly the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

His upcoming featured appearance is as himself, in an "Evening With" event aiming to offer intimate insights into a dancer's art. He will guide the crowd through a role, showing his mental process while performance. Even in more comedic works, the test is significant. "A classic ballet is one of the most demanding from a skill perspective," he states.

The Psychological Game and Post-Performance Feelings

What about after a show, when he has pulled it off? "It feels pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel self-conscious later. After Mayerling I'm always like: Wow, what must people think?"

In person, Ball is reflective, polite, and quick to laugh at himself. Yet a dance maker once remarked on a "kind of suffering in him." Does this exist? "I'm quite energetic usually, but I do have a dark side," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that doubt has been an catalyst for good change."

Formative Drivers and Artistic Inspirations

Ball's determination stemmed from early setbacks. Not doing well in contests at school made him "driven!" It was motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit fanatical," he remembers.

The next endeavor is creating his own dance works. For Ball, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing ideas from literature, compositions, and art.

Intimate Dance and Personal Partnership

He also favors presenting dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so near to the viewers. I felt as if they were realizing: 'That’s a human, and they’re sweating.'"

Ball has created pieces with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is evident. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." They aren’t usually paired on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "Yet I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Perception

On Instagram, fans can see videos from his projects and images that showcase a athletic form. Does he care that the response can be a bit focused on appearance? Not particularly. "The body is just what we use, so I don’t feel very precious about it," he explains. He compares it to viewing Michelangelo’s David—something that can be interpreted on multiple ways.

Ball characterizes his younger self as "eager for success." Did it lived up to his expectations? "I am conscious of how reality is a different thing to the dreams you had as a young person," he reflects. He likely has about decade of dancing ahead. "I suppose in the future, I want to be a bit more kind with myself."

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Written by

Brenda Alexander

Lena van der Meer is a seasoned web designer with over a decade of experience in crafting user-friendly digital experiences for small businesses.

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